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Raveena Tandon In Series Of Tweets Reveals The Dark, Mean Side Of Bollywood

 

One of the biggest actresses in the 90’s ‘Mast Mast’ Raveena Tandon of Mohra fame has in series of hard- hitting tweets has reveled the dark mean side of Bollywood. She nodded that camps exist in Bollywood as do “mean girls.”

She claimed she was victim of so called called “dirty politics.” In one of her tweets she writes, mean girl”gang of the industry.Camps do exist.Made fun of,bn removed from films by Heroes,their girlfriends,Journo chamchas&their career destroying fake media stories.Sometimes careers are destroyed.U struggle to keep afloat.fight backSome survive Some Dont.

In another one she writes , When you speak the truth,you are branded a liar,Mad,psychotic. Chamcha journos write pages&pages destroying all the hard work that you might have done.Even though born in the industry, grateful for all it has given me,but dirty politics played by some can leave a sour taste .

On Sushant Singh Rajput been singled as an outsider, Raveena writes, It can happen to someone born within,an “insider” as I can hear insider/outsider words,some anchors blaring away.But you fight back.The more they tried to bury me,the harder I fought back. Dirty politics happen everywhere. But sometimes one roots for good to win,and Evil to lose.

Raveena however signs off by declaring her love for industry though, I love my industry,but yes,the pressures are high,there are good people and people who play dirty, there are all kinds,but that’s what makes the http://world.One has to pick up the pieces,walk again and again,with the head held high.Goodnight world.I pray for a better tmrw

Raveena made her bollywood debut in 1991 opposite Salman Khan in Patthar Ke Phool. Then she went on to star in several successful films  and becoming one of the most bankable actresses. In 1994 she featured in Box- Office Blockbusters – Dilwale , Mohra,Laadla, Andaz Apna Apna. Followed by Khiladiyon Ka Khiladi (1996), Ziddi (1997) and Ghulam-E-Mustafa (1997).

Her run at Box-office continued with Gharwali Baharwali (1998), Bade Miyan Chote Miyan (1998), Dulhe Raja (1998) and Anari No.1 (1999). Shool (1999). Critical acclaim followed for films like – 2001 films Daman and Aks. Further praise came for her leading roles in the political drama Satta (2003) and the Sahara One television series Sahib Biwi Gulam (2004).

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